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MICHAEL CHABON READS FROM "THE YIDDISH POLICEMEN'S UNION"
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THE YIDDISH POLICEMEN'S UNION
BY MICHAEL CHABON
May 2007. HarperCollins
From Publishers Weekly: Reviewed by Jess Walter. They are the "frozen Chosen," two million people living, dying and kvetching in Sitka, Alaska, the temporary homeland established for displaced World War II Jews in Chabon's ambitious and entertaining new novel. It is-deep breath now-a murder-mystery speculative-history Jewish-identity noir chess thriller, so perhaps it's no surprise that, in the back half of the book, the moving parts become unwieldy; Chabon is juggling narrative chainsaws here.The novel begins-the same way that Philip Roth launched The Plot Against America-with a fascinating historical footnote: what if, as Franklin Roosevelt proposed on the eve of World War II, a temporary Jewish settlement had been established on the Alaska panhandle? Roosevelt's plan went nowhere, but Chabon runs the idea into the present, back-loading his tale with a haunting history. Israel failed to get a foothold in the Middle East, and since the Sitka solution was only temporary, Alaskan Jews are about to lose their cold homeland. The book's timeless refrain: "It's a strange time to be a Jew."Into this world arrives Chabon's Chandler-ready hero, Meyer Landsman, a drunken rogue cop who wakes in a flophouse to find that one of his neighbors has been murdered. With his half-Tlingit, half-Jewish partner and his sexy-tough boss, who happens also to be his ex-wife, Landsman investigates a fascinating underworld of Orthodox black-hat gangs and crime-lord rabbis. Chabon's "Alyeska" is an act of fearless imagination, more evidence of the soaring talent of his previous genre-blender, the Pulitzer Prize-winning The Amazing Adventures of Kavalier and Clay.Eventually, however, Chabon's homage to noir feels heavy-handed, with too many scenes of snappy tough-guy banter and too much of the kind of elaborate thriller plotting that requires long explanations and offscreen conspiracies.Chabon can certainly write noir-or whatever else he wants; his recent Sherlock Holmes novel, The Final Solution, was lovely, even if the New York Times Book Review sniffed its surprise that the mystery novel would "appeal to the real writer." Should any other snobs mistake Chabon for anything less than a real writer, this book offers new evidence of his peerless storytelling and style. Characters have skin "as pale as a page of commentary" and rough voices "like an onion rolling in a bucket." It's a solid performance that would have been even better with a little more Yiddish and a little less police.
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VANITY FAIR'S CHRISTOPHER HITCHENS DISCUSSES HIS BOOK, "GOD IS NOT GREAT: HOW RELIGION POISONS EVERYTHING"
God Is Not Great
How Religion Poisons Everything
by Christopher Hitchens.
May 2007. Twelve
From Publishers Weekly: Hitchens, one of our great political pugilists, delivers the best of the recent rash of atheist manifestos. The same contrarian spirit that makes him delightful reading as a political commentator, even (or especially) when he's completely wrong, makes him an entertaining huckster prosecutor once he has God placed in the dock. And can he turn a phrase!: "monotheistic religion is a plagiarism of a plagiarism of a hearsay of a hearsay, of an illusion of an illusion, extending all the way back to a fabrication of a few nonevents." Hitchens's one-liners bear the marks of considerable sparring practice with believers. Yet few believers will recognize themselves as Hitchens associates all of them for all time with the worst of history's theocratic and inquisitional moments. All the same, this is salutary reading as a means of culling believers' weaker arguments: that faith offers comfort (false comfort is none at all), or has provided a historical hedge against fascism (it mostly hasn't), or that "Eastern" religions are better (nope). The book's real strength is Hitchens's on-the-ground glimpses of religion's worst face in various war zones and isolated despotic regimes. But its weakness is its almost fanatical insistence that religion poisons "everything," which tips over into barely disguised misanthropy. Click the book cover to read more.
RHONDA BYRNE DISCUSSES THE BACKGROUND ON HER BOOK, "THE SECRET"
GEORGE TENET READS FROM "AT THE CENTER OF THE STORM"